Artemis Chrysostomidou is an author and theatre director. Her work is contemporary and poetic based on distortion, contrast and existential humor. Her original pieces for theatre include Manipulation and Other Romantic Stories, Altofest, International Contemporary Live Arts Festival Naples, 2024 (IT), Frankfurt LAB, 2021 (DE); Raw Eggs, Altofest, International Contemporary Live Arts Festival Naples, 2023 (IT), Espaço da Penha Lisbon, 2022 (PT); Mortality, Hooray!, EXPO Festival, English Theatre Berlin, 2020 (DE); A Guide on How to Prevent Daily Life Accidents, BIOS Athens, 2019 (GR) etc. She has collaborated with various directors, while her work has also been presented as site-specific or text-based art at Temporars, Muzeum Susch, 2020 (CH); Travers, Copenhagen Contemporary, 2021 (DK) etc. In 2023 she presented the lecture-performance and text-based series This is a High-Level Trauma, Lettrétage Berlin (DE). In 2024 she presented the text-based series and talk Egoism: the Captivity to the Illusion of a Victory, Flux I bell Structurs Berlin (DE), the video installation Vision Is Not A Private Experience and the text-based The Value of Nothing as part of the Mäandern Project, Flux I bell and Lichtenberg Studios Berlin (DE). Her book Dogs Don’t Bark in France | Sculpture was awarded the 2018 State Prize for Literature, Best Young Writer (CY), while her book Oh, that Hand of Yours was presented at Frankfurter Buchmesse (DE) as it was awarded the 2023 Young Book Designers Award. She was awarded fellowships from the European Theatre Convention as European Emerging Artist, 2019 (DE); Art Stations Foundation Switzerland, 2020 (CH); Frankfurt LAB, 2021 (DE); O Rumo do Fumo Lisbon, 2022 (PT) etc.