Skip to content

Conteúdo principal

Open Call: light matter 2024

Grupo de formação e pesquisa em iluminação cénica

ALKANARA - Open Call: light matter 2024 - ©José Caldeira
@ José Caldeira
  • 18.03 — 05.04 2024

Sorry, this entry is only available in Portuguese.

This call has ended.

Alkantara, in collaboration with the light matter project, is calling for applications to join the light matter study group.


light matter is a scenic lighting training project coordinated by Leticia Skrycky. The project is directed at women, non-binary and transgender people. It aims to be a collective learning space that is crossed by three lines: research, experimentation and technique.


The Open Call seeks to form a study group interested in scenic design as a performative language. This group will watch a set of plays presented at the Alkantara Festival, analyzing the particular situations of each work.


light matter will have its first edition next year, and will start with a call for proposals that will open in January 2024. It is proposed as a collective learning space and participation will be free of charge. We encourage people with an interest in training to sign up for this first activity as part of the Alkantara Festival 2023.


More information at materialeve.com

What we offer

Tickets to attend the plays mentioned within the study program

Space and work sessions

Free access



Who is this call for?

Women, non-binary and transgender people interested in the artistic practice of lighting and scenic design, with or without experience.



Work period:


November 12 to 15 and 17 to 20. Meeting places to be confirmed.



Work Calendar


12 November

14pm to 16pm: First meeting

17pm: “Antigone in the Amazon” by Milo Rau / Culturgest


13-15 November

2pm to 6pm: Work meeting


17 November

19pm: “Feijoada” by Calixto Neto / Teatro Municipal São Luiz



18 November

15pm to 18pm: Work meeting

19:30pm: “Blackface” by Marco Mendonça / Teatro do Bairro Alto


19 November

16pm to 19pm: Work meeting

21pm: “Pai para Jantar” by Gaya de Medeiros / CCB


20 November

14pm to 18pm: Last meeting-Closing


How to apply?

Proposals should be submitted using this form by October 2nd, written in Portuguese or English. We ask for a brief motivation note and your CV.

The results will be communicated by email on October 23rd.


Any doubt can be answered by email: info@materialeve.com

Team

Leticia Skrycky is a scenic designer and creator. She has developed her work mainly in the field of performance and contemporary dance. Taking lighting as her starting point, she investigates practices of collaboration and co-creation between humans, non-humans and languages on stage. She collaborates with various artists as a designer and technical director, and realises pieces in co-creation with other colleagues. She was awarded the FEFCA ‘Zavala Muniz’ recognition grant by the Uruguayan Ministry of Education and Culture in 2016. Master in Scenic Practice and Visual Culture, coordinated by ARTEA at the Museo Nacional Centro de Arte Reina Sofía, Madrid (ES). Professor of Integrated Design at the Instituto Nacional Escuela de Bellas Artes / Licenciatura en Danza of the Universidad de la República, Uruguay in 2020. Monitoring and technical coordination of the PACAP programme (Forum Dança) together with Santiago Rodriguez Tricot. She has given various workshops and talks in Uruguay, Chile, Spain and Portugal.

Carolina Campos is involved in different circuits of creation and research, her practices lie between performance, writing and pedagogy. She is interested in methodological approaches that reflect collaboration in artistic creation. She is currently researching artistic accompaniment as a state of attention that creates fertile ground for imagining worlds in relationship and situated critical thinking. She has been one of the closest collaborators of Composition in Real Time since 2012, a research project developed by Portuguese choreographer João Fiadeiro. In Brazil, she worked at Lia Rodrigues Cia de Danzas between 2008 and 2011. In Barcelona, she was resident artist at La Caldera (2019), La Escocesa (2020 - 2022) and Graner (2022). In Portugal, she is an associate artist at Vagar.

Apoios

Alkantara - Associação Cultural, RE.AL, Graner - Centre de creació de dansa i arts vives, Polo Cultural Gaivotas l Boavista

Leticia Skrycky

Designer cénica e criadora. Tem desenvolvido o seu trabalho principalmente na área da performance e dança contemporânea. Tomando a iluminação como ponto de partida, investiga práticas de colaboração e cocriação entre humanes, não-humanes, e linguagens no palco. É colaboradora de váries artistas como designer e diretora técnica, e realiza peças em cocriação com distintes colegas. Recebeu a bolsa FEFCA de reconhecimento "Zavala Muniz", concedida pelo Ministério da Educação e Cultura - Uruguai em 2016. Master en Práctica Escénica y Cultura Visual,...

Carolina Campos

Envolvida em diferentes circuitos de criação e investigação, as suas práticas situam-se entre a performance, a escrita e a pedagogia. Interessa-se por abordagens metodológicas que reflitam a colaboração na criação artística. Atualmente investiga o acompanhamento artístico como um estado de atenção que cria terreno fértil para a imaginação de mundos em relação e pensamento crítico situado. É uma das colaboradoras mais próximas da Composição em Tempo Real desde 2012, investigação desenvolvida pelo coreógrafo português João Fiadeiro. No Brasil,...

Back to home
This website is using cookies to provide a good browsing experience

These include essential cookies that are necessary for the operation of the site, as well as others that are used only for anonymous statistical purposes, for comfort settings or to display personalized content. You can decide for yourself which categories you want to allow. Please note that based on your settings, not all functions of the website may be available.

This website is using cookies to provide a good browsing experience

These include essential cookies that are necessary for the operation of the site, as well as others that are used only for anonymous statistical purposes, for comfort settings or to display personalized content. You can decide for yourself which categories you want to allow. Please note that based on your settings, not all functions of the website may be available.

Your cookie preferences have been saved.